∞D [a multitude of dimensions]
a 9-meter-high translucent paper sculpture, suspended in space within the stairwell of the Lithuanian National Gallery of Art — a space shaped by late modern architecture
Vilnius, Lithuania • June 2025
(non) functional pause
a solo exhibition at Galerie am Kunst presents paper-based artworks developed during a Paper Residency organized by the Haus des Papiers museum in Berlin and the Kunst Ort Lehnin institute
Thanks for Elias M. Haisch
Germany • July 2025
moons
is a series of sculptural objects created from a new material—coffee grounds and recycled documents—that combines traces of everyday life with cosmic symbolism. Like celestial bodies, these fragile sculptures resemble lunar cycles, the invisible influence of planets, and the silent rituals that connect the human body with the Earth
• 2025
once intimate and functional—now holds only the trace of a form. A memory space, an archive of what could not be kept
• 2025
roof
the form of a functional object, reinterpreted in a different material—paper—creates a new shape and experience, while still retaining the embedded knowledge held in memory
• 2025
not a table
The paper was wet.
It rested on a surface, touched it, dried.
Now it holds itself.
The form happened.
It does not search for meaning.
It does not speak a story.
It is a trace of being — a memory held in material.
It simply is.
• July 2025
medusa
body… surface… curtain… an unseen gaze that, in truth—paralyses, holds still… like a punishment slowly turned into aesthetics…
• 2025
sensing takes time
a duo exhibition exploring how spatial bodies mediate emotion through material, form, and structure. Presenting works by Laura Matukonytė and Emilija Višinskaitė at Meno Parkas Gallery
Kaunas, Lithuania • March–April 2025
sacred naivety
paper sculpture installation in the group exhibition "SAMBŪRIS" at the Galaunė House–Museum, a branch of the M. K. Čiurlionis National Museum of Art
Kaunas, Lithuania • October 2024
(un)able to resist...
the desire for something more explores loneliness in a time of contemporary excess, where the constant pursuit of “more” deepens the sense of absence. Using minimal forms and fragile materials, the work reflects a quiet, persistent longing.
• 2024
coffee time
this series of objects reveals the body of coffee while retaining subtle traces of its former function. The transformation preserves an organic familiarity and invites reflection on ritual, repetition, memory, and form
• 2024
breathe in short breaths
explores the intersection of fashion and architecture through a paper installation that stages a quiet dialogue of space within space — activated by the human body
• 2024